BUDDY & JULIE MILLER RELEASE “PUBLIC SERVICE SONGS” FROM SELF-QUARANTINE

 

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Buddy & Julie Miller have released a series of “Public Service Songs” from self-quarantine during the Covid-19 pandemic. Produced by Buddy at his legendary home studio in Nashville, TN, The Boot has called the series of songs “a fun time capsule for the world’s current predicament.” Generally lighthearted, “Public Service Song #1: Stay Home” included the refrain, “Stay home, stay home, stay home, stay home, just call me on the phone, stay home” while “Public Service Song #2: Concerning Bleach” included the cautionary advice, “Don’t, don’t drink bleach, it will kill you, and you will be dead. Don’t, don’t, don’t drink bleach, no matter what the President said.”

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Today, American Songwriter has premiered the video for the markedly more purposeful and no-nonsense, “Public Service Song Number 5: Get Offa My Money.” Calling it a “thundering musical mallet,” American Songwriter says, “Barebones in body but deafening in delivery, the husband and wife duo take turns exploiting the ‘do as I say, not as I do’ lifestyles of some of our nation’s most revered men.” Speaking to the publication, Julie Miller said “I was so shocked to find out from a documentary that many of the architects of democracy were slaveholders. Even the writer of the glorious words ‘… we hold these truths to be self evident, that all men are created equal…” then packed up and went home to many slaves. I was disgusted. Then I realized my black friends were having to touch the slave owners pictures every time they used money. It is insane and cannot continue.”

100% of proceeds from the sale of the song will benefit Black Lives Matter.

PURCHASE PUBLIC SERVICE SONG NUMBER 5: GET OFFA MY MONEY 

The Miller’s series of “Public Service Songs” follows their 2019 album Breakdown on 20th Ave South. Met with overwhelming critical acclaim, the album was named a “Best of the Year” by many outlets with Rolling Stone Country saying it “… ranks among the year’s finest,” while American Songwriter called it “… a mesmerizing listen.” NPR Music stated “At the heart of the album are the riveting idiosyncrasies of Buddy & Julie’s partnership, and it’s a wondrous thing to be allowed back in.” Breakdown on 20th Ave. South was their first album in a decade after Julie was waylaid by a series of health issues and Buddy became an extremely in-demand collaborator and producer for Robert Plant, Solomon Burke, Richard Thompson, Shawn Colvin & Steve Earle, Patty Griffin, The War & Treaty and more. In that time, Buddy also joined T Bone Burnett on the musical team working on the hit ABC-TV series Nashville, and following Burnett’s departure, became the show’s Music Executive Producer.

Buddy & Julie Miller have also been nominated for “Best Duo/Group” for the Americana Music Association’s 19th Annual 2020 Honors & Awards currently scheduled for September 16th, 2020 at the historic Ryman Auditorium in Nashville, TN. Buddy Miller said, “We’re just so humbled and honored to be included with all these other fantastically talented artists and grateful to everyone who has supported us and our music throughout the years.

Buddy & Julie Miller’s Breakdown on 20th Ave. South is available via New West Records.

 

 

 

 

 

Live Stream Tonight — A Night For Austin

 

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Appearances by: Paul Simon, Edie Brickell, Vince Gill, Lyle Lovett, Shawn Colvin, John Hiatt, Jerry Douglas, Bonnie Raitt and Boz Scaggs, Ryan Bingham, Black Pumas, Ray Benson and Asleep at the Wheel, Augie Meyers with Los Texmaniacs, Flaco Jiménez with Los Texmaniacs, Patty Griffin, Alejandro Escovedo, Willie Nelson, Lukus Nelson, Gary Clark Jr., Britt Daniel (Spoon), Jimmie Vaughan and The Tilt-a-Whirl Band, David Ramirez, Charlie Sexton with Doyle Bramhall II, Terry Allen, Norah Jones, James Taylor, Ethan Hawke, Renée Zellweger, Woody Harrelson, and Owen Wilson.

 

A Night For Austin” a two hour, commercial-free telethon-style fundraiser airing June 10th at 8 pm Central

WATCH HERE

Austin, Texas, has, without a doubt, left a lasting impression on all who have spent any amount of time in the Live Music Capital of the World—a week for SXSW, a day’s stop on tour, business conferences, or years building careers and friendships—and right now, the city we’ve strived to keep weird all these years needs a little help to “Keep Austin Going.” Announcing “A Night For Austin,” a television and streaming event to raise money for the community of Austin in reaction to the closures and loss due to COVID-19 shutdowns. Produced by Luck Productions—the busier-than-ever collective best known for hosting Luck Reunion at Willie Nelson’s Luck, TX, ranch every year—“A Night For Austin” is the brainchild of Grammy Award-winning, Mt. Rushmore-worthy singer-songwriter Paul Simon. The two hour, commercial-free telethon-style broadcast starts at 8 pm Central on June 10th at anightforaustin.com and twitch.tv/luckreunion . The program will also air locally on CBS Austin (KEYE). A Night For Austin will be powered by Brightcove, the world’s leading video technology platform.

Performances from Simon, Nelson, James Taylor, and more will intertwine with appearances from the likes of Ethan Hawke, Renée Zellweger, Woody Harrelson, and Owen Wilson; all Texans with a strong love for the city and its people. 100% of the money raised will go to a fund managed by the Austin Community Foundation to be distributed directly to MusiCares Austin, HAMM, Central Texas Food Bank, Six Square, Southern Smoke Foundation, Red River Cultural District, and People Fund. Locals will be able to watch “A Night For Austin” on CBS Austin (KEYE). Worldwide, “A Night For Austin” will be streamed on anightforaustin.com and at Luck Reunion’s Twitch channel, complete with a “virtual tip jar”—a direct link to donate throughout the evening. A full, ever-growing list of performers can be found below.

We were incredibly honored and excited that Paul Simon and his team tapped Luck to produce this event and to benefit our own community of Austin,” said Matt Bizer, Co-founder of Luck Productions. “It means a lot for us to be able to support this community that has always inspired and provided for us and we are excited to be doing it alongside an amazing group of talented individuals, organizations, artists who themselves represent the unique fabric and soul that makes Austin our home.”

Everyone here at CBS Austin loves our Austin community, our hearts go out to the musicians, artists, and business owners who have struggled due to the COVID 19 pandemic,” said Amy Villarreal, Vice president and General Manager of CBS Austin/Telemundo Austin. “That’s why we’re proud to provide this commercial-free two-hour televised event as a means to help them out.”

The coronavirus has completely upended live music in Austin, which is why we must come together to support the industry that makes our city special. Austin Community Foundation is honored to work with Paul Simon to bring much-needed relief to those who rely on the music scene for their livelihood. The funds raised through A Night For Austin will go to nonprofit organizations equipped to help musicians, producers, venue owners, and others persevere through these difficult times,” said Mike Nellis, CEO of Austin Community Foundation.

 

 

A Sound Recommendation: Willie Jones

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Hailing from Shreveport, Louisiana, Willie Jones has taken his country roots and merged them with R&B influences to create an unprecedented, show-stopping sound. He spent his childhood singing gospel music and performing in musical theater productions, eventually making his way to the X Factor stage in 2012 where he wowed international audiences with his rich, authentic country voice.

Since then, Jones has continued creating a name for himself and cultivating his own sound within country music, garnering over 20 million streams on Spotify and earning a spot on the historic Ryman Auditorium stage with Dwight Yoakam. With his iconic anthems and innovative sound, it is no wonder Rolling Stone identified him as the “future of country music.”

Willie Jones continues to prove himself a stand-out artist with the release of his latest single “Back Porch.” With relatable lyrics and a “seamless” mix of country and R&B (Rolling Stone), Jones delivers a familiar atmosphere with a laid-back, warm-weather feel, inviting listeners to take a journey directly to their back porch where life is always that much better.

ARTIST LINKS

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Jess Jocoy’s Debut — Such A Long Way Out Now

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Nashville-based Americana singer-songwriter Jess Jocoy has released her debut full-length album, Such a Long Way, earlier this month. The album was produced by Michael Rinne (Miranda Lambert) and Dylan Alldredge (Mary Gauthier, Joy Williams, Leon Bridges) and recorded at Skinny Elephant Recording in Nashville.

With a crystalline veracity in her uniquely authentic songs, Jocoy constructs eloquent narratives that drift between the poetic and the conversational, which some have called “Jason Isbell meets Emmylou Harris.”

The biggest truth in this record is my journey,” Jocoy says of her refined yet rootsy album.

While Such a Long Way’s songs don’t always tell her story, they certainly show her progress. From the big picture pep talk that is “Existential Crossroads” to the father-son stand-off of “Castles Made of Sand” through the tender reminder of “Hope,” Such a Long Way showcases a thoroughly literate young songwriter finding her voice and staking her claim with equal parts grit, grace, and gravitas. In an Americana music community brimming with talent, Such a Long Way is an impressive effort for someone who only just a couple years ago committed to pursuing music full-time, after a lifetime of dreaming that dream.

PURCHASE SUCH A LONG WAY

At the craggy core of Such a Long Way lives the search to find one’s place in the world, and it readily infuses the earthy stride of “Somebody Somewhere,” the vibey shuffle of “Long Way Home,” and the quiet testament of “Hope (Such A Long Way).” Of the latter, Jocoy says, “The entire piece is based on what I needed to hear — from God, from myself, whomever. This song is about me: If I don’t tell myself I’m a bird, I will never fly. I’ve worn sorrow like a coat, and it’s hard to shake it off.” Grief, gratitude, living, and learning collide in one of the reoccurring themes of Such a Long Way: mercy. “‘Mercy’ is such a powerful word — small but mighty,” Jocoy offers. “It can dictate a lot, like what kind of person you are. I’ve been shown so much mercy throughout the course of my life. That and grace have brought me to where I am today.”

ARTIST LINKS

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Israel Nash To LIVE STREAM New Music

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This week, Israel Nash announced the surprise release ‘Topaz,’ an EP consisting of 5 songs that were originally slated to be released as the A-side of an upcoming full length album.

A Bandcamp exclusive went live earlier this week, and the EP is now available on all digital platforms.

He’ll be streaming live performances tonight (4/17) at 8pm CT and Sat (4/18) at 1pm CT via his Instagram, YouTube and Facebook pages.

Israel Nash’s last album was described by NPR Music as “a magnificently far-reaching and optimistic slice of ornate, psych-tinged Technicolor rock” with “immense sonic ambition” that “plunges directly, and wonderfully, into the deep end.”

***A note from Israel Nash on ‘Topaz’***

“I know the days of late feel strange and uncertain. Things are a little upside down and uneven all over the world. So I’m gonna throw a little love out there to my fellow brothers and sisters in arms and iso and give ya some new tunes. Here’s TOPAZ!!”

“If these songs could either inspire, chill ya a bit, or even just help pass the day, I’m here for ya. I’ve been making more new music than ever over the last year and I wanna release more stuff than ever too. Been trying to figure out how to best do that but these weird times made it clear to me. I’m so happy to share this with you! The beginning of much more to come!”

“These tunes are about the unfortunate divisions we have between others – friends, lovers, strangers, ideas, politics…the distances between. So during this crazy time, may we see that we are always our best as one. It doesn’t take a guru to reveal how connected we really are in this world!! Recognize that we share much more in common than we do in what separates us.”

“We’re all in this life together with a shared hope for tomorrow, a need for the love of others, and a want for the warmth of a shining sun. Live and love out there and stay safe my friends! Enjoy and vibe. May your hearts and ears be blessed.”

New Timely Release From Eliza Gilkyson

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Two-time GRAMMY™-nominated folk singer, songwriter and activist Eliza Gilkyson celebrates the release of her new album 2020.

The album, a collection of politically charged anthems designed to motivate, reflect and inspire action during these partisan times, seems especially prescient with our current situation and was a response to what she believes will be “the most important USA election of our lifetime.”

Produced by Eliza’s son, Cisco Ryder, 2020 features songs that are designed to be audience sing-a-longs in the Pete Seeger tradition of motivational political anthems, from the call for unity of “Peace in Our Hearts,” to blistering condemnations of the current regime’s policies with “Sooner or Later” and “My Heart Aches.” Along with these new songs (including two co-writes with students from her summer songwriter workshops in Taos, NM), she has recorded two folk favorites: Bob Dylan’s “A Hard Rain’s A-Gonna Fall” and Pete Seeger’s “Where Have All the Flowers Gone.”

PURCHASE 2020

One More Day” finds Gilkyson reflecting on the sobering realities of climate catastrophe while celebrating her commitment to life, love, community and Planet Earth with the songs “Beautiful World of Mine,” “We Are Not Alone” and “Promises to Keep.”

Gilkyson, daughter of folk artist Terry Gilkyson and sister of LA-based artist Tony Gilkyson, is held in high regard by critics and her fellow songwriters alike; she recently supported Richard Thompson on his fall 2019 U.S. and had her song “The Great Correction” covered in 2018 by Joan Baez.

Gilkyson says: “2020 was born out of a visceral impulse to promote unity, commitment and action during this epic and critical showdown of power versus people in the USA and our world today.  “May human decency prevail.

ARTIST LINKS

WEBSITE     FACEBOOK

 

 

Nashville Beats: New Album From Sean McConnell to Benefit Tennessee Tornado Relief

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In the relatively short five years since Basement East opened its doors on Woodland Street, the East Nashville venue has been a home for musicians and music fans alike; a neighborhood haunt capable of introducing a few hundred new friends at a time.

New artists look forward to making the jump to Basement East from its smaller capacity sister-venue across the river, the Basement, and seasoned vets fill the room like it’s the biggest house party their community has ever seen—on a nightly basis. So when Basement East took a massive blow from March 3rd’s early morning EF3 tornado, it became the centerpiece of news coverage and a symbol of devastation for the people of Nashville.

One of those people is longtime Nashville resident and music scene mainstay, Sean McConnell. “ It was heartbreaking to see that Basement East was so terribly damaged during the horrible recent Tornados,” says McConnell, who released his new album, Live from Basement East, today . “It’s one of those evenings I will replay over in my head for a long time,” McConnell recalls of the night from which the album was culled. “It was the last show on the Secondhand Smoke tour, so not only were we primed and ready but it had the added emotion of ‘this is it, guys!’” To McConnell, it seemed fitting to use this release to do some good for the community that surrounds Basement East. “With them in mind and the continued need for aid, the proceeds from this record will go towards helping Nashville rebuild.” 

PURCHASE LIVE FROM BASEMENT EAST

Featuring a number of songs from his most recent album, Secondhand Smoke, as well as a sprinkling of tunes from his bountiful career, Live from Basement East gives fans a taste of what it’s like to be at a lively Sean McConnell show, especially in this day of live streams and anticipation of getting back to the life we knew just a month ago—all while perpetuating efforts to rebuild and relieve in the wake of this tragic storm. All proceeds from Live from Basement East will be donated to the Middle Tennessee Relief Fund.

ARTIST LINKS

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Austin Duo Pike & Sutton Release Debut Album

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Austin-based duo Pike & Sutton released their debut full-length album Heart Is A Compass. 

Led by “hometown favorites” Patrice Pike and Wayne Sutton, the band has evolved out of the longtime alternative rock band Sister 7.

Pike & Sutton is a partnership, a creative evolution, and a promise fulfilled. Equally anchored by the powerhouse vocals of Pike and the deep textured guitars of Sutton, Heart Is A Compass is both a transformative celebration of the pair’s R&B, soul, and roots influences and an exhilarating call-to-arms for the faithful. Co-produced with Grammy-winner Jim Watts (Emmylous Harris, Jenny Lewis, Kelly Clarkson), the album crackles with passion, vision, and undeniable hip-shaking rhythms.

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Heart Is A Compass is available for stream or purchase HERE.

ARTIST LINKS

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A Very Sound Recommendation: Saint Eden

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Saint Eden is Sam Bradley (lead vocal, guitar) and Bobby Harris (lead guitar, vocals).

Introduced by mutual friends a few years back they hit it off immediately and bonded over their shared musical influences and love of vintage guitars.

Bobby has an accomplished background in session work as a sought-after guitarist, on stage and in the studio. Sam had his first break a few years back with a song on the Twilight movie soundtrack and as a successful singer / songwriter in his own right touring across Europe the US and Canada.

When they met, Sam and Bobby discovered that they share a love for country music, its depth of lyric and its many faceted styles and they wasted no time in getting together to write songs. It didn’t take long for them to find their own sound and soon after Saint Eden was born.

It was a logical move for Sam who spent his early childhood living in Nashville growing up being influenced by the likes of Johnny Cash, Willie Nelson and Brooks & Dunn. His mum who is also a singer songwriter still lives there and runs songwriter retreats at her home.

The guys spent no time taking advantage of her hospitality and based themselves in Nashville for several months and immersed themselves in that world. Writing with and sourcing songs from the likes of Josh Osbourne (Midland / Lanco), Brett James (Jason Aldean / Chris Young), Jaron Johnston (Drake White / Keith Urban) & Steve Diamond (Faith Hill). And Bobby was able to reconnect with his old friend Sam Palladio, with whom he was collaborating before Palladio rudely disappeared to star in the Nashville TV series.

Now back in London with a growing catalogue of material Sam and Bobby continue to record, perform and collaborate with the cream of the burgeoning UK Country scene.

Their first single,  Lonely When I’m With You came out earlier this year and is available on all the usual platforms.

Their new single, Dangerously Good, out 10 April, is available now for preorder.

PRE-ORDER DANGEROUSLY GOOD

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You can all check out Saint Eden for yourselves on Wednesday the 8th of April via Instagram Live at 6pm BST.  (For us yanks, that’s 1pm EST)

ARTIST LINKS

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A Sound Recommendation: The Ballroom Thieves

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photo by Mulography – Anthony Mulcahy

 

The Ballroom Thieves – Calin “Callie” Peters (vocals, cello), Martin Earley (guitar, vocals), and Devin Mauch (percussion, vocals) – mine immense melodies and hypnotic hooks from personal stories on their 2018 EP, Paper Crown (Nettwerk Records). Under the cover of vintage jazz-style, the five songs reflect feelings of rootlessness from four nomadic years, bouts of depression, and the ever-looming specter of political unrest hanging over the country.

Nevertheless, a noticeable glimmer of light always peeks through.

Our lifestyle has shaped our perspective,” explains Martin. “We’ve toured so much that we haven’t been able to call anywhere home. A lot of the songwriting was done from this place of simply not having a home base. We were the perennial guests.

Some of the more somber moments come from a darkness I carry,” admits Callie. “I’m not an optimist, and I suffer from insomnia and depression. Traveling around on highways and utilizing the faux likes of large cooperate hotels and chains can bring a person down. Songwriting is a way to speak about sad things in a pretty and concise way while providing a distraction from some of the realities of tour life. It’s not all dreary though, and the enormous range of experiences give us the juxtaposition of happy, easygoing vintage music and dark lyrics.”

That subtle balance has transformed The Ballroom Thieves into a quiet phenomenon. Following two EPs, the group released their full-length debut A Wolf in the Doorway in 2015.

In late 2017, they commenced work on Paper Crown, collaborating with producer Ryan Hadlock (The Lumineers, Brandi Carlile, Vance Joy) in Washington for the first time.

Working with Ryan at Bear Creek was a completely new and unique experience,” affirms Devin. “He naturally pushed us through our vulnerabilities, challenging the band to grow and apply some of his more pop sensibilities to our traditional ‘Thieves sound.’ The rustic wooded environment at Bear Creek also had a serious impact on the band’s experience creating these songs as we found ourselves there at two very different times of year – once in the beautiful but smoky heat of August and again in February’s more frigid rain season. The result was a pretty stark contrast in the sounds, tones, textures, colors, and feel between each song, which in itself is a reflection of this band and our journey.

The Ballroom Thieves culled the EP title Paper Crown from a lyric in “Do Something.” Representing the ephemeral nature of consumerism, corporate greed, and reality TV, it’s symbolic of the fake coronation atop the country’s hierarchy. At the same time, it proposes an alternative charge for unity in the face of this misdirection.

It’s a letter to this administration to do something kind,” Callie exclaims. “This president is not a suitable representative for any human being, but ironically, many of the Americans rallying behind him are the ones who stand to suffer the most if he continues to bolster ideals that only work for people who look and live like him. For ‘Do Something’, instead of focusing on my cynicism about it, I was trying to have higher hopes, and maybe scream a little about what most of us are thinking.”

Martin goes on, “It’s unifying rather than being divisive. It points towards the fact we’re all trying to navigate this situation together. We shouldn’t be doing that as two separate factions.”

“To me, this EP is a transition,” Martin states. “It leads us towards the next project and stands as an evolution of our sound. Just like any band, we keep evolving and writing new songs that require creativity in production. I hope we take our older fans with us while making some new ones along the way.”

In the end, The Ballroom Thieves strain light through all the darkness.

We hope people find it catchy and inviting,” Callie leaves off, “but are also able to find a likeness and connection to any of the ideas we express and the music we love to create.”\

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