New Music From Americana Artist Greg Hawks

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It’s been more than three decades since Greg Hawks picked up his first instrument, kicking off a career that has found the critically-acclaimed songwriter, front man, and multi-instrumentalist leaving his mark on everything from alt-country to bluegrass music.

He casts a wide net with 2018’s I Think It’s Time, an album inspired by the twang of classic country, the hooks of 1970s pop/rock, the rhythmic soul of old-school Stax records, and Hawks’ own roots in the American South. With influences that veer from Big Star to Buck Owens, I Think It’s Time shines new light on an enduring, eclectic musician who was making Americana music long before the genre had a name.  “The album is a culmination of all my influences, thrown into a big pot as separate ingredients and turned into something cohesive and new,” says Hawks, who recorded I Think It’s Time at his home studio in Chapel Hill, North Carolina.

He produced the album himself, playing most of the instruments — from finger-style acoustic guitar to keyboards — along the way. He then turned to Chris Stamey (the dB’s, Whiskeytown, Alex Chilton), who had previously mixed Hawks’ debut album for YepRoc Records, Fool’s Paradise, back in 2001. Stamey reprised that role for I Think It’s Time, resulting in a DIY album whose songs mix Hawks’ sharp, melody-driven songwriting with plenty of social commentary.

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Nashville Beats: Alt Country Artist Elise Davis

 

 

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Elise Davis moves between lush alt-country and stripped-down folk on her second album, Cactus. Arriving two years after The Token — the songwriter’s 2016 debut, whose electrified roots-rock sound earned praised from outlets like Rolling Stone Country and The Wall Street Journal — Cactus spins autobiographical stories about a self-sufficient woman in the modern world. Like the desert plant that lends the album its title, Davis takes pride in her own independence, confident that she doesn’t need help from others to grow tall.

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Davis’ independent streak began in Little Rock, Arkansas, where she kicked off her career at 12 years old. Now based in Nashville, she has earned acclaim not only for her live show, but also her sharp, articulate songwriting. She collaborates with co-writers like Grammy-winner Maren Morris on Cactus, whose bold, country-leaning sound was produced by Jordan Lehning. The result is Elise Davis’ most honest record to date — an album about what it takes to stand alone, rooted in the hard-won wisdom of a songwriter who’s unafraid to shine a light on her missteps and victories.

 

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